I discuss seven overly ambitious projects I idly fantasize about being able to complete. Read more(20 min, 4900 words).
I review the book Hit Makers and go on about how it loses its point in a sea of storytelling . Read more (10 min, 3300 words).
Responding to a post on Suspended Reason, I talk about how underwhelming conceptual art is, why it's more subjective than other kinds and why it's highly regarded even though it shouldn't be. Read more (14 min, 3500 words)
Using the movie ”Arrival” as a jumping-off point, I rant about the ubiquity of personal drama in storytelling, defend ”flat” characters and positive emotions over negative, and criticize the ”figure it out yourself” ethos in fiction. Read more (15 min, 3700 words)
In the second annual Everything Studies article about the Eurovision Song Contest, I analyze all the votes from the last twelve years to find out whether "block voting” is the result of similar tastes. Read more (10 min, 2600 words)
We pay lip service to the idea that people are different, but don't take it seriously enough. It needs to be something we keep in mind all the time. There are many ways people can be different and their thinking can be different, and we should learn to be aware of them all. Read more (5 min, 1300 words)
Among fans of ”Black Mirror” the opinions on individual episodes is remarkably diverse. Is there a hidden structure in people’s preferences? This sounds like a case for Principal Component Analysis.Read more (2600 words)
Fiction works differently from reality and I think I sometimes forget that when watching movies and reading books. Other people, I suspect, often make the opposite mistake.Read more (900 words)